Laura Leigh Siersema
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Profile Information

City & State
Greenfield,MA
Country
USA
Music Genre(s):
neoclassical art rock
Bio:
"Dreamy, visionary, cutting edge." Holly Popple, Herndon Festival

My Music

Paused...
  • 1.
    Mother Mary Rose
  • 2.
    Talon of the Blackwater and Graces
  • 3.
    Go Children Slow
  • 4.
    Wade in the Water
  • 5.
    My Eye This Flower in Julep Runs
  • 6.
    Jumping Off the Big Board
  • 7.
    This Train
  • 8.
    I Was Once a Sailor
  • 9.
    Who Will Pass This On
  • 10.
    All My Trials
  • 11.
    Along the Fenway

SINGER RELEASES HER LATEST HAUNTING OPUS

 Her voice beckons mercilessly to the physical world like the bodiless spirit that haunts the mansion on a far-away hill.  Wanderers
beware...”
 Independent Songwriters Magazine Pick of the Month

"Dreamy, visionary, cutting edge."  Holly Popple, Herndon Festival, Virginia 
 
Woven in the language of poetry and dreams, Talon of the Blackwater, Berklee graduate Laura Siersema's third independent release is "fiercely original", challenging and ambitious.  Lush, complex layers and the  high qualities unique to her voice transform the folk music of herinto a "depth and scale of music so strong, a soul searing connection to it becomes inevitable."
Produced by Jay Hovnanian and mastered by Jeff Lipton, this album features Michael Farquharson (MCA artist/Juno nominee), T Lavitz (Grammy nominee of the Dixie Dregs), Eugene Friesen (Grammy winning Paul Winter Consort), Nick Falk and Marcelo Woloski (Maeve Gilchrist Group), Nate Comp (Josh Logan Band), Bruce J. LeBlanc and Alastair Moock.  Laura has played at art festivals and venues around the United States and opened for John Gorka, Cheryl Wheeler, Connie Kaldor, Dana Cooper, Brooks Williams and Lori McKenna.  Her poetry has been published in Hampden-Sydney Poetry Review, Cream City Review, Lullwater Poetry Review and others.  She is a graduate of the University of Florida in nursing and Berklee College of Music in songwriting.  Before leaving Boston in 2002, she was accompanist for choral and theater productions, sang with New England Vocal Arts Ensemble, and was soprano  soloist at Eliot Church in Newton. She studied voice in the bel canto tradition with John LaBella and briefly  with Phyllis Curtin.

 

"The major labels are always looking for artists who fit in neat categories, to simplify their marketing efforts. Artists know this, and try to make music that will fit. But some artists are driven to make music that falls between the cracks, that fits no musical genre very well at all. Sometimes, there are traces of various musical genres, but combined in unexpected ways. And sometimes there is no genre that can describe the music fairly. Always, these artists show a fierce originality. Some of the worst music I have ever heard is like this; the artist creates something abstract, without the slightest regard to connecting with their potential listeners. But some of the best music I have ever heard also defies categorization. Just as the English language is neither French nor German, but is derived from both, this music is a new language, but one that speaks eloquently."  (Oliver di Place blog on Laura's work) 

Her previous releases, When I Left Loss and Love Flows Like the Blood of a River (with Eugene Friesen, cello, and Steve Wilkes, percussion) contain unique combinations of songs and spoken word pieces that “lend a riveting, personal touch and at times cut so deep the hair on the listener's skin goes on end.”  (Josh Shear, Chicopee Herald)

WHAT THE CRITICS ARE SAYING

While the voice gives Talon of the Blackwater its beauty, her writing is what gives it depth.” The Republican

"Inspired by greats like guitarist Pat Metheny, Siersema brings the power of her crystalline voice and compositional skills to bear on her third release...understated accompaniments are at times brilliant...Siersema takes the traditional spiritual 'Wade in the Water' and makes it her own with a ghostly arrangement reminiscent of Daniel Lanois's work...the excellent 14-minute 'Along the Fenway' features cellist Eugene Friesen and is strikingly beautiful."   Progression

Enthralling and complex music with world-class musicians.”  Greenfield Recorder

Experimental, serene and surreal...” Sarah Craig, Caffe Lena

"We LOVE your music." Kelley & Cyrus,Yurt Radio, Hampshire College

Folk fans should take note, as well as those that like classical music, and Tori Amos.”  Tampa Tribune

"A touch Celtic, a touch New Age, she is uncategorizable, a passion rare in folk music today."  WCUW, Worcester

Laura is an acoustic craftsman, a wordsmith…with the soul and lyrics of a true poet…” Indie-Music Reviews

"STUNNING!"  KUNV, Las Vegas

...they should make movies out of music like this.” Jamaica Plain Arts News

There are a few who can carry us beyond....by indenting our souls--by effecting change in the soul whereby the mood is retained and perhaps never to be lost...your music has the power to do just this!  You have given a sort of 'storehouse' for our spirit's garden.  The places that are in greatest need of nourishment are thereby fulfilled."
 in a letter from Vincent Tripi, haiku poet

All albums are available for sale on iTunes, Rhapsody, Amazon and CDBaby, among other online and retail outlets, as well as on her website.

 

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Comment Wall (2 comments)

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At 11:44am on December 25, 2011, Suicide Bunnies!! said…

Thank you for making the world a better place with your music. Happy Holidays> Network with us> Lets share the Love. Anton> Suicide Bunnies!!
http://www.facebook.com/pages/Suicide-Bunnies/124133437653119?sk=app_2405167945

At 9:53pm on July 2, 2011, Charles Joseph Moix said…
Awesome Voice & Music!!!!!!!
 
 
 

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